Category Archives: participatory culture

Apologies and Social Media: A Follow-Up on PRI's WTP

I did it! I did exactly what I’m usually trying to avoid. And I feel rather good about the outcome despite some potentially “ruffled feathers” («égos froissés»?).

While writing a post about PRI’s The World: Technology Podcast (WTP), I threw caution to the wind.

Why Is PRI’s The World Having Social Media Issues? « Disparate.

I rarely do that. In fact, while writing my post, I was getting an awkward feeling. Almost as if I were writing from a character’s perspective. Playing someone I’m not, with a voice which isn’t my own but that I can appropriate temporarily.

The early effects of my lack of caution took a little bit of time to set in and they were rather negative. What’s funny is that I naïvely took the earliest reaction as being rather positive but it was meant to be very negative. That in itself indicates a very beneficial development in my personal life. And I’m grateful to the person who helped me make this realization.

The person in question is Clark Boyd, someone I knew nothing about a few days ago and someone I’m now getting to know through both his own words and those of people who know about his work.

The power of social media.

And social media’s power is the main target of this, here, follow-up of mine.

 

As I clumsily tried to say in my previous post on WTP, I don’t really have a vested interest in the success or failure of that podcast. I discovered it (as a tech podcast) a few days ago and I do enjoy it. As I (also clumsily) said, I think WTP would rate fairly high on a scale of cultural awareness. To this ethnographer, cultural awareness is too rare a feature in any form of media.

During the latest WTP episode, Boyd discussed what he apparently describes as the mitigated success of his podcast’s embedding in social media and online social networking services. Primarily at stake was the status of the show’s Facebook group which apparently takes too much time to manage and hasn’t increased in membership. But Boyd also made some intriguing comments about other dimensions of the show’s online presence. (If the show were using a Creative Commons license, I’d reproduce these comments here.)

Though it wasn’t that explicit, I interpreted Boyd’s comments to imply that the show’s participants would probably welcome feedback. As giving feedback is an essential part of social media, I thought it appropriate to publish my own raw notes about what I perceived to be the main reasons behind the show’s alleged lack of success in social media spheres.

Let it be noted that, prior to hearing Boyd’s comments, I had no idea what WTP’s status was in terms of social media and social networks. After subscribing to the podcast, the only thing I knew about the show was from the content of those few podcast episodes. Because the show doesn’t go the “meta” route very often (“the show about the show”), my understanding of that podcast was, really, very limited.

My raw notes were set in a tone which is quite unusual for me. In a way, I was “trying it out.” The same tone is used by a lot of friends and acquaintances and, though I have little problem with the individuals who take this tone, I do react a bit negatively when I hear/see it used. For lack of a better term, I’d call it a “scoffing tone.” Not unrelated to the “curmudgeon phase” I described on the same day. But still a bit different. More personalized, in fact. This tone often sounds incredibly dismissive. Yet, when you discuss its target with people who used it, it seems to be “nothing more than a tone.” When people (or cats) use “EPIC FAIL!” as a response to someone’s troubles, they’re not really being mean. They merely use the conventions of a speech community.

Ok, I might be giving these people too much credit. But this tone is so prevalent online that I can’t assume these people have extremely bad intentions. Besides, I can understand the humour in schadenfreude. And I’d hate to use flat-out insults to describe such a large group of people. Even though I do kind of like the self-deprecation made possible by the fact that I adopted the same behaviour.

Whee!

 

So, the power of social media… The tone I’m referring to is common in social media, especially in replies, reactions, responses, comments, feedback. Though I react negatively to that tone, I’m getting to understand its power. At the very least, it makes people react. And it seems to be very straightforward (though I think it’s easily misconstrued). And this tone’s power is but one dimension of the power of social media.

 

Now, going back to the WTP situation.

After posting my raw notes about WTP’s social media issues, I went my merry way. At the back of my mind was this nagging suspicion that my tone would be misconstrued. But instead of taking measures to ensure that my post would have no negative impact (by changing the phrasing or by prefacing it with more tactful comments), I decided to leave it as is.

Is «Rien ne va plus, les jeux sont faits» a corrolary to the RERO mantra?

While I was writing my post, I added all the WTP-related items I could find to my lists: I joined WTP’s apparently-doomed Facebook group, I started following @worldstechpod on Twitter, I added two separate WTP-related blogs to my blogroll… Once I found out what WTP’s online presence was like, I did these few things that any social media fan usually does. “Giving the podcast some love” is the way some social media people might put it.

One interesting effect of my move is that somebody at WTP (probably Clark Boyd) apparently saw my Twitter add and (a few hours after the fact) reciprocated by following me on Twitter. Because I thought feedback about WTP’s social media presence had been requested, I took the opportunity to send a link to my blogpost about WTP with an extra comment about my tone.

To which the @worldstechpod twittername replied with:

@enkerli right, well you took your best shot at me, I’ll give you that. thanks a million. and no, your tone wasn’t “miscontrued” at all.

Call me “naïve” but I interpreted this positively and I even expressed relief.

Turns out, my interpretation was wrong as this is what WTP replied:

@enkerli well, it’s a perfect tone for trashing someone else’s work. thanks.

I may be naïve but I did understand that the last “thanks” was meant as sarcasm. Took me a while but I got it. And I reinterpreted WTP’s previous tweet as sarcastic as well.

Now, if I had read more of WTP’s tweets, I would have understood the “WTP online persona.”  For instance, here’s the tweet announcing the latest WTP episode:

WTP 209 — yet another exercise in utter futility! hurrah! — http://ping.fm/QjkDX

Not to mention this puzzling and decontextualized tweet:

and you make me look like an idiot. thanks!

Had I paid attention to the @worldstechpod archive, I would even have been able to predict how my blogpost would be interpreted. Especially given this tweet:

OK. Somebody school me. Why can I get no love for the WTP on Facebook?

Had I noticed that request, I would have realized that my blogpost would most likely be interpreted as an attempt at “schooling” somebody at WTP. I would have also realized that tweets on the WTP account on Twitter were written by a single individual. Knowing myself, despite my attempt at throwing caution to the wind, I probably would have refrained from posting my WTP comments or, at the very least, I would have rephrased the whole thing.

I’m still glad I didn’t.

Yes, I (unwittingly) “touched a nerve.” Yes, I apparently angered someone I’ve never met (and there’s literally nothing I hate more than angering someone). But I still think the whole situation is leading to something beneficial.

Here’s why…

After that sarcastic tweet about my blogpost, Clark Boyd (because it’s now clear he’s the one tweeting @worldstechpod) sent the following request through Twitter:

rebuttal, anyone? i can’t do it without getting fired. — http://ping.fm/o71wL

The first effect of this request was soon felt right here on my blog. That reaction was, IMHO, based on a misinterpretation of my words. In terms of social media, this kind of reaction is “fair game.” Or, to use a social media phrase: “it’s alll good.”

I hadn’t noticed Boyd’s request for rebuttal. I was assuming that there was a connection between somebody at the show and the fact that this first comment appeared on my blog, but I thought it was less direct than this. Now, it’s possible that there wasn’t any connection between that first “rebuttal” and Clark Boyd’s request through Twitter. But the simplest explanation seems to me to be that the blog comment was a direct result of Clark Boyd’s tweet.

After that initial blog rebuttal, I received two other blog comments which I consider more thoughtful and useful than the earliest one (thanks to the time delay?). The second comment on my post was from a podcaster (Brad P. from N.J.), but it was flagged for moderation because of the links it contained. It’s a bit unfortunate that I didn’t see this comment on time because it probably would have made me understand the situation a lot more quickly.

In his comment, Brad P. gives some context for Clark Boyd’s podcast. What I thought was the work of a small but efficient team of producers and journalists hired by a major media corporation to collaborate with a wider public (à la Search Engine Season I) now sounds more like the labour of love from an individual journalist with limited support from a cerberus-like major media institution. I may still be off, but my original impression was “wronger” than this second one.

The other blog comment, from Dutch blogger and Twitter @Niels, was chronologically the one which first made me realize what was wrong with my post. Niels’s comment is a very effective mix of thoughtful support for some of my points and thoughtful criticism of my post’s tone. Nice job! It actually worked in showing me the error of my ways.

All this to say that I apologise to Mr. Clark Boyd for the harshness of my comments about his show? Not really. I already apologised publicly. And I’ve praised Boyd for both his use of Facebook and of Twitter.

What is it, then?

Well, this post is a way for me to reflect on the power of social media. Boyd talked about social media and online social networks. I’ve used social media (my main blog) to comment on the presence of Boyd’s show in social media and social networking services. Boyd then used social media (Twitter) to not only respond to me but to launch a “rebuttal campaign” about my post. He also made changes to his show’s online presence on a social network (Facebook) and used social media (Twitter) to advertise this change. And I’ve been using social media (Twitter and this blog) to reflect on social media (the “meta” aspect is quite common), find out more about a tricky situation (Twitter), and “spread the word” about PRI’s The World: Technology Podcast (Facebook, blogroll, Twitter).

Sure, I got some egg on my face, some feathers have been ruffled, and Clark Boyd might consider me a jerk.

But, perhaps unfortunately, this is often the way social media works.

 

Heartfelt thanks to Clark Boyd for his help.

Crazy App Idea: Happy Meter

I keep getting ideas for apps I’d like to see on Apple’s App Store for iPod touch and iPhone. This one may sound a bit weird but I think it could be fun. An app where you can record your mood and optionally broadcast it to friends. It could become rather sophisticated, actually. And I think it can have interesting consequences.

The idea mostly comes from Philippe Lemay, a psychologist friend of mine and fellow PDA fan. Haven’t talked to him in a while but I was just thinking about something he did, a number of years ago (in the mid-1990s). As part of an academic project, Philippe helped develop a PDA-based research program whereby subjects would record different things about their state of mind at intervals during the day. Apart from the neatness of the data gathering technique, this whole concept stayed with me. As a non-psychologist, I personally get the strong impression that recording your moods frequently during the day can actually be a very useful thing to do in terms of mental health.

And I really like the PDA angle. Since I think of the App Store as transforming Apple’s touch devices into full-fledged PDAs, the connection is rather strong between Philippe’s work at that time and the current state of App Store development.

Since that project of Philippe’s, a number of things have been going on which might help refine the “happy meter” concept.

One is that “lifecasting” became rather big, especially among certain groups of Netizens (typically younger people, but also many members of geek culture). Though the lifecasting concept applies mostly to video streams, there are connections with many other trends in online culture. The connection with vidcasting specifically (and podcasting generally) is rather obvious. But there are other connections. For instance, with mo-, photo-, or microblogging. Or even with all the “mood” apps on Facebook.

Speaking of Facebook as a platform, I think it meshes especially well with touch devices.

So, “happy meter” could be part of a broader app which does other things: updating Facebook status, posting tweets, broadcasting location, sending personal blogposts, listing scores in a Brain Age type game, etc.

Yet I think the “happy meter” could be useful on its own, as a way to track your own mood. “Turns out, my mood was improving pretty quickly on that day.” “Sounds like I didn’t let things affect me too much despite all sorts of things I was going through.”

As a mood-tracker, the “happy meter” should be extremely efficient. Because it’s easy, I’m thinking of sliders. One main slider for general mood and different sliders for different moods and emotions. It would also be possible to extend the “entry form” on occasion, when the user wants to record more data about their mental state.

Of course, everything would be save automatically and “sent to the cloud” on occasion. There could be a way to selectively broadcast some slider values. The app could conceivably send reminders to the user to update their mood at regular intervals. It could even serve as a “break reminder” feature. Though there are limitations on OSX iPhone in terms of interapplication communication, it’d be even neater if the app were able to record other things happening on the touch device at the same time, such as music which is playing or some apps which have been used.

Now, very obviously, there are lots of privacy issues involved. But what social networking services have taught us is that users can have pretty sophisticated notions of privacy management, if they’re given the chance. For instance, adept Facebook users may seem to indiscrimately post just about everything about themselves but are often very clear about what they want to “let out,” in context. So, clearly, every type of broadcasting should be controlled by the user. No opt-out here.

I know this all sounds crazy. And it all might be a very bad idea. But the thing about letting my mind wander is that it helps me remain happy.

Product Differentiation

A chart meant to show the merits of Participatory Culture’s Miro video platform over a competing product from Joost.

Miro vs. Joost – Head to Head Comparison

Interesting approach. After the obligatory feature and content comparisons, details about the organizational structure for Participatory Culture (creators of Miro) and Joost N.V. (creators of the Joost program, with links to Skype and Kazaa). Even the “technological” comparison focuses on Miro’s openness.

It seems that social and cultural factors may be important for folks at Participatory Culture. Seems like members of their target audience should care about enterprise size (11 people for Miro vs. 100 for Joost) and about connections to the Open Source community (Participatory Culture is claiming that Joost uses Open Source without making its own source code available). However, this chart makes it a bit difficult to distinguish statements about these factors from typical marketing hype.

Social Beer

As a reply to Liz Losh’s generous blogpost on my passion for beer and coffee culture(s).

virtualpolitik: Strange Brew

My tone is clearly much less formal than Losh’s. Hope it still fits and doesn’t bring down the quality standards expected from her blog.

Quoth Losh’s post:

Doesn’t consigning brewing of coffee and beer in private homes eliminate third spaces for social interactions with a cross-section of people and opportunities for discussions and debates? Isn’t it like putting yourself in a cul-de-sac with a garage door facing the street in that you aren’t participating with neighborhood businesses? Enkerli strongly disagreed, since beer-making involves large quantities, parties, and collective beer making sessions. He thought that it was a powerfully social activity and one that was often situated in specific neighborhoods.

Probably overstated my disagreement about eliminating third spaces. Was mostly trying to describe what I had observed from the beer and coffee world(s). Basically, wanted to emphasise that making coffee or beer at home is just one of several activities done by members of those networks. And those activities often push people to go and consume beer or coffee outside the home.

Actually, discussing this is helpful to me because it reinforces the point that what I’m observing has more to do with “craft beer culture” (or “culinary coffee culture”) than with homebrewing (or making coffee at home).

Haven’t tried to find out whether or not homebrewing and home coffee making might prevent meaningful interactions between coffee/beer geeks and “the rest of the (local) community.” Really, that’s not my type of work. My impression is that those DIY activities might have those “decreased participation” effects in some contexts but such effects haven’t been apparent to me on any occasion during the last few years of observing and participating in beer and coffee geekery.

To be clearer, and specifically focusing on (beer) homebrewers. Making beer at home has become a fairly common activity in North America since the 1980s (when the legal status of homebrewing in the United States was finally cleared up). But my focus isn’t beer making as an activity. It’s a social network which revolves around “handcrafted” beer. This is one network I have been connecting with for several years, now. And, IMHO, it’s the core of the so-called “craft beer revolution.”

Many people brew beer at home for purely financial reasons. While these are technically “home brewers,” they are not taking part in the social and cultural dynamics that I aim to eventually describe academically. In fact, while those “thrifty brewers” are known to the “beergeek” crowd, they are considered as complete outsiders to the “craft beer revolution.” Typically, those who brew for financial reasons use cans of hopped malt extract and dextrose powder to make beer. On the homebrewing side of the craft beer movement, all-grain brewing (making beer from scratch, with the malted barley, hops, yeast, and water) is the normative method.

I guess we could use terms like “casual,” “dedicated,” “careless,” “serious,” “extract,” and “advanced” to make distinctions between those types of “homebrewers.” But we’re talking about such different worlds here that emphasising these distinctions seems irrelevant. So, when I talk about “homebrewers,” I almost always mean “serious, dedicated, advanced brewers who care more about beer quality than about costs.”

(It’s quite interesting that, in OZ, the term “homebrewer” refers to people who make beer at home to save money while “craftbrewer” refers specifically to people who brew beer for “serious” reasons.)

The homebrewers I tend to talk about aren’t casual brewers, they often spend rather large amounts of money on beer and brewing equipment, they frequently send their beers to large competitions, and typically belong to brewing associations (“brewclubs”). In the United States, many of them are card-carrying members of the American Homebrewers Association. AHA membership gives them access to a rather “serious” technical magazine on brewing techniques (Zymurgy) and discounts at local brewpubs all over the United States (and some parts of Canada).

The typical brewclub has monthly meetings as well as a number of beer-related events. In large urban areas, brewclubs can have a very elaborate structure, with annual fees, bulk purchasing accounts, etc.

The keen observer with an eye toward folklore might notice that these sound like the “quilting bees” which were served as a way for North American women to unite and eventually form “grassroots movements.” Given Losh’s political bent, I feel compelled to note this similarity, even though I care fairly little about political involvement on the part of homebrewers.

Interesting that Losh should say that I teach “folklore and ethnomusicology” at Concordia. While I do teach a course in the anthropology of music which is, in fact, labeled “ethnomusicology,” the courses I’ve been teaching at different institutions in the past five years were all in anthropology. However, I did serve as an associate instructor for a large course in folkloristics at Indiana University for three semesters during part of my Ph.D. coursework at that institution. And I do consider “folklore” to be among my fields of specialisation.  Of course, Losh probably got her notion about my teaching from the fact that I’m finishing a Ph.D. at Indiana University’s Department of Folklore and Ethnomusicology. 😉

Anyhoo…

Some brewclubs also serve as “beer appreciation” groups, similar to wine-tasting (and emphasizing the fact that beer is chemically more complex than wine). While beer-tasting can be a solitary activity, sampling beer with fellow homebrewers (and beergeeks) is common practise for serious beer-lovers. Perhaps more importantly, homebrewers frequently use a set of guidelines while tasting beer. These guidelines, from the Beer Judge Certification Program, often serve as a shared knowledge base for “beer literacy.” The BJCP’s main purpose is to train judges for homebrewing competitions. When I eventually do publish some academic work on craft beer culture, I’ll need to have a rather large section on the BJCP, competitions, and so on. Among homebrewers, I’m known as a vocal opponent to the BJCP guidelines. I do recognise, however, that they serve important functions in the context. (I simply happen to think that there is more to beer than evaluating it through set standards and I see the effects of the BJCP guidelines as broadening the gap between actual beer appreciation and the general public.)

One thing which was already clear to me when I gave a talk on craft beer culture at an surprisingly pleasant food and culture conference,  is that craft beer culture is geek culture. As geek ethnographer Jenny Cool was present during the conversation which triggered Losh’s reaction (Cool and Losh are friends), I actually wanted to steer the conversation toward the issue of geek sociability, using homebrewers as an example.

Homebrewing is social because geeking out is social

(To simplify things a whole lot, someone could say that “geeks” are something of the “somewhat sociable” equivalent of “nerds.” To caricature, the type of sociability involved is that of the stereotypical “basement hacker.” Some of “them” might in fact be antisocial human beings. But “they” become less unfriendly with like-minded people. Especially when “they” feel there is “smartness parity” in terms of intellectual prowess. Going on a limb, someone could say that what has been happening in the last thirty years, thanks to computer-mediated communication, is a steady increase in the opportunities for “basement hacker-type nerds” to interact with one another. These interactions might occasionally lead to meaningful social relationships. In the context of increased social capital given to computer-savvy people, geekness becomes almost cool and geeks are “more social” (according to a broader social group) than the “nerds” who had been stigmatised for so long.)

Homebrewing as an activity was facilitated by changes in its legal status (and by the alcohol regulations in general). Beer geekery is embedded in the increased prominence of online communication. Pre-Internet beer people were pretty much just “beer nerds.” Today’s beergeeks are almost all Internet-savvy and many beer-related activities happen through mailing-lists and websites. (Usenet newsgroups used to be fairly important but, since 1994 or so, mailing-lists and websites have pretty much taken over.)

As is the case with many other groups, online interactions give way to face-to-face interactions, friendships, and elaborate support systems. Meeting at brewpubs to sample beer and “talk shop,” beergeeks are bonding. And this type of bonding often creates strong… bonds. I personally have a large number of anecdotes which reveal the strength of the bonds among beergeeks. And, as a social scientist, I’m fascinated by the phenomenon.

Going back to Losh’s points(!), I might say that beergeeks are connecting more with broader social groups than the homebrewers she seems to have had in mind. Using the “think global, drink local” motto, beergeeks (including homebrewers) are situating themselves in complex social systems. They/we talk about important social and political issue.

And we do drink good beer.

What Radio Open Source Should Do

I probably think too much. In this case, about a podcast and radio show which has been with me for as long as I started listening to podcasts: Radio Open Source on Public Radio International. The show is hosted by Christopher Lydon and is produced in Cambridge, MA, in collaboration with WGBH Boston. The ROS staff is a full team working on not only the show and the podcast version but on a full-fledged blog (using a WordPress install, hosted by Contegix) with something of a listener community.

I recently decided not to listen to ROS anymore. Nothing personal, it just wasn’t doing it for me anymore. But I spent enough time listening to the show and thinking about it, I even have suggestions about what they should do.

At the risk of sounding opinionated, I’m posting these comments and suggestions. In my mind, honesty is always the best policy. Of course, nothing personal about the excellent work of the ROS team.

Executive summary of my suggestion: a weekly spinoff produced by the same team, as an actual podcast, possibly as a summary of highlights. Other shows do something similar on different radio stations and it fits the podcasting model. Because time-shifting is of the essence with podcasts, a rebroadcast version (instead of a live show) would make a lot of sense. Obviously, it would imply more work for the team as a whole but I sincerely think it would be worth it.

ROS has been one of the first podcasts to which I subscribed and it might be the one that I have maintained in my podcatcher for the longest time. The reason is that several episodes have inspired me in different ways. My perception is that the teamwork “behind the scenes” makes for a large part of the success of the show.

Now, I don’t know anything about the inner workings of the ROS team. But I do get the impression that some important changes are imminent. The two people who left in the last few months, the grant they received, their successful fundraiser, as well as some perceivable changes in the way the show is handled tell me that ROS may be looking for new directions. I’m just an ethnographer and not a media specialist but here are some of my (honest) critical observations.

First, some things which I find quite good about the show (or some reasons I was listening to the show).

  • In-depth discussions. As Siva Vaidhyanathan mentioned it on multiple occasions, ROS is one of few shows in the U.S . during which people can really spend an hour debating a single issue. While intriguing, Siva’s comparison with Canadian shows does seem appropriate according to my own experience with CBC and Radio-Canada. Things I’ve heard in Western Europe and West Africa would also fit this pattern. A show like ROS is somewhat more like The New Yorker than like The New York Times. (Not that these are innocent choices, of course.)
  • Research. A lot of care has been put in preparing for each show and, well, “it shows.” The “behind the scenes” team is obviously doing a great job. I include in this the capacity for the show to entice fascinating guests to come on the show. It takes diplomacy, care, and insight.
  • Podcasting. ROS was one of the first “public radio” shows to be available as a podcast and it’s possibly one of the radio shows for which the podcasting process is the most appropriate. Ease of subscribing, relatively few problems downloading shows, etc.
  • Show notes. Because the show uses a blog format for all of its episodes, it makes for excellent show notes, very convenient and easy to find. Easy to blog. Good trackback.
  • The “Community.” Though it can be troublesome at times, the fact that the show has a number of fans who act as regular commentators on the blog entries has been an intriguing feature of the show. On occasion, there is a sense that listeners can have some impact on the way the show is structured. Few shows on public radio do this and it’s a feature that makes the show, erm, let’s say “podworthy.” (Apologies to those who hate the “pod-” prefix. At least, you got my drift, right?)

On the other hand, there are things with ROS that have kept putting me off, especially as a podcast. A few of those “pet peeves.”

  • “Now the News.” While it’s perfectly natural for a radio show to have to break for news or ads, the disruption is quite annoying on a podcast. The pacing of the show as a whole becomes completely dominated by the breaks. What’s more, the podcast version makes very obvious the fact that discussions started before the break rarely if ever get any resolution after the break. A rebroadcast would allow for seamless editing. In fact, some television shows offer exclusive online content as a way to avoid this problem. Or, more accurately, some television shows use this concept as a way to entice watchers to visit their websites. Neat strategy, powerful concept.
  • Length. While the length of the show (a radio “hour”) allows for in-depth discussions, the usual pacing of the show often implies a rather high level of repetition. One gets the impression that the early part of the show contains most of the “good tidbits” one needs to understand what will be discussed later. I often listen to the first part of the show (before the first break) and end up skipping the rest of the show. This could be alleviated with a “best of ROS” podcast. In fact, it’s much less of an issue when the listener knows what to expect.
  • Host. Nothing personal. Chris Lydon is certainly a fabulous person and I would feel bad to say anything personal about him even though, to make a point, I have used a provocative title in the past which specifically criticised him. (My point was more about the show as a whole.) In fact, Lydon can be very good as a radio host, as I described in the past. Thing is, Lydon’s interviewing style seems to me more appropriate for a typical radio show than for a podcast. Obviously, he is quite knowledgeable of a wide array of subjects enabling him to relate to his guests. Also, he surely has a “good name” in U.S. journalistic milieus. But, to be perfectly honest, I sometimes feel that his respect for guests and other participants (blog commentators and callers when ROS still had them) is quite selective. In my observation, Lydon also tends to do what Larry King described on the Colbert Report as an “I-show” (host talking about her/his own experience, often preventing a guest to follow a thought). It can be endearing on some radio shows but it seems inappropriate for a podcast. What makes this interviewing style even more awkward is the fact that the show is frequently billed as a “conversation.” In conversation analysis, Lydon’s interviews would merit a lot of discussion.
  • Leading questions. While many questions asked on the show do help guests get into interesting issues, many questions sound like “leading” questions. Maybe not to the “how long have you been beating your wife?” extreme, but it does seem that the show is trying to get something specific out of each guest. Appropriate for journalism but awkward for what is billed as a “conversation.” In fact, many “questions” asked on the show are phrased as affirmative utterances instead of actual questions
  • Old School Journalism. It may sound like harsh criticism but what I hear from ROS often makes me think that they still believe that some sources are more worthy than others by mere virtue of being “a trusted source.” I’ve been quite critical of what I think of as “groupthink.” Often characterised by the fact that everybody listens, reads, or watches the same sources of information. In Quebec, it’s often Radio-Canada’s television shows. In the U.S., it typically implies that everyone reads the New York Times and thinks of it as their main “source of information.” IMHO, the ROS-NYT connection is a strong one. To me, critical thinking implies a mistrust of specific sources and an ability to process information regardless of the source. I do understand that the NYT is, to several people, the “paper of record” but the very notion of “paper of record” seems outdated in this so-called “Information Age.” In fact, as an outsider, I often find the NYT even more amenable to critical challenge than some other sources. This impression I got even before the scandals which have been plaguing the NYT. In other words, the NYT is the best example of Old School Journalism. Podcasting is going away from Old School Journalism so a podcast version of ROS should go away from NYT groupthink. Lydon’s NYT background is relevant here but what I describe goes much beyond that print newspaper.
  • The “Wolfpack.” The community around ROS is fascinating. If I had more time, I might want to spend more time “in” it. Every commentator on the show’s entries has interesting things to say and the comments are sometimes more insightful than the show itself. Yet, as contradictory as it may sound, the ROS “fanbase” makes the show less approachable to new listeners. This one is a common feature of open networks with something of a history but it’s heightened by the way the community is handled in the show. It sometimes seems as though some “frequent contributors” are appreciated more than others. The very fact that some people are mentioned as “frequent contributors to the show” makes the “community” sound more like a clique than like an open forum. While Brendan often brought in some questions from the real-time blog commentators, these questions rarely led to real two-way conversations. The overall effect is more like a typical radio talk show than like a community-oriented podcast.
  • Show suggestions. Perhaps because suggestions submitted to the show are quite numerous, very few of these suggestions have been discussed extensively. The “pitch a show idea of your own” concept is helpful but the end-result is that commentators will need to prepare a pitch which might be picked up by a member of the ROS team to be pitched during the team’s meeting. The process is thus convoluted, non-transparent, non-democratic, and cumbersome. To be perfectly honest, it sounds as if it were “lipservice” to the audience instead of being a way to have listeners be part of the show. As a semi-disclaimer, I did pitch several ideas. The one of my ideas which was picked up was completely transformed from my original idea. Nothing wrong with that but it doesn’t make the process feel transparent or open. While a digg-like system for voting on suggestions might be a bit too extreme for a show on public radio, I find myself dreaming for the ROS team working on shows pitched by listeners.
  • Time-sensitiveness. Because the show is broadcast and podcast four days a week, the production cycle is particularly tight. In this context, commentators need to post on an entry in a timely fashion to “get the chance to be heard.” Perfectly normal, but not that podfriendly. It seems that the most dedicated listeners are those who listen to the show live while posting comments on the episode’s blog entry. This alienates the actual podcasting audience. Time-shifting is at the very basis of podcasting and many shows had to adapt to this reality (say, for a contest or to get feedback). The time-sensitive nature of ROS strengthens the idea that it’s a radio show which happens to be podcast, contrary to their claims. A weekly podcast would alleviate this problem.
  • Gender bias. Though I didn’t really count, it seems to me that a much larger proportion of men than women are interviewed as guests on the show. It even seems that women are only interviewed when the show focuses specifically on gender. Women are then interviewed as women instead of being guests who happen to be females. This is especially flagrant when compared to podcasts and radio shows outside of the U.S. mainstream media. Maybe I’m too gender-conscious but a gender-balanced show often produces a dynamic which is, I would dare say, “friendlier.”
  • U.S. focus. While it makes sense that a show produced in Cambridge, MA should focus on the U.S., I naively thought that the ‘I’ in PRI implied a global reach. Many ROS episodes have discussed “international affairs” yet the focus is on “what does it mean for U.S.” This approach is quite far from what I have heard in West Africa, Western Europe, and Canada.

Phew!

Yes, that’s a lot.

Overall, I still enjoyed many things of the show while I was listening to it. I was often compelled to post a blog entry about something I heard on the show which, in itself, is a useful thing about a podcast. But the current format of the show is clearly not what I expect a podcast to be.

Now what? Well, my dream would be a podcast on disparate subjects with the team and clout of ROS but with podcasting in mind, from beginning to end. I imagine the schedule to be more of a weekly wrap-up than a live daily show. As a podcast listener, I tend to prefer weekly shows. In some cases, podcasts serve as a way to incite listeners to listen to the whole show. Makes a lot of sense.

That podcast could include a summary of what was said in the live comments. It could also have guest hosts. And exclusive content. And it could become an excellent place to get insight about a number of things. And I’d listen to it. Carefully.

Some “pie in the sky” wishes.

  • Full transcripts. Yes, it takes time and effort, but it brings audio to the blogosphere more than anything else could. Different transcribing services are available for podcasts and members of the team could make this more efficient.
  • Categorised feeds. The sadly missed DailySonic podcast had excellent customisation feature. If a mainstream radio station could do it, ROS would be a good candidate for categorised feeds.
  • Voting mechanism. Since Slashdot and Digg, voting has probably been the most common form of online participation by people who care about media. Voting on features would make the “pitching” process more than simply finding the right “hook” to make the show relevant. Results are always intriguing in those cases.
  • Community guests. People do want to get involved and the ROS community is fascinating. Bringing some members on the podcast could do a lot to give a voice to actual people. The only attempt I remember on ROS was with a kind of answering machine system. Nothing was played on the show. (What I left was arguably not that fascinating but I was surprised nothing came out of it.)
  • Guest hosts. Not to go too Bakhtin on y’all, but multiple voices in the same discussion makes for interesting stories. Being a guest host could prove how difficult it is be a host.
  • Field assignments. With a wide community of listeners, it could be interesting to have audio from people in other parts of the world, apart from phone interviews. Even an occasional one-minute segment would go a long way to give people exposure to realities outside the United States.
  • Social bookmarking. Someone recently posted an advice for a book club. With social bookmarking features, book recommendations could be part of a wider scheme.
  • Enhanced audio. While the MP3 version is really necessary, podcasts using enhanced features such as chapters and embedded images can be extremely useful, especially for owners of recent iPod/iPhone.
  • Links. ROS is not the only radio show and links are what makes podcasts alive, especially when one is linked to another. In a way, podcasts become an alternate universe through those links.

Ok, I’m getting too far astray from my original ideas about ROS. It must mean that I should leave it at that.

I do sincerely hope that ROS will take an interesting turn. I’ll be watching from my blog aggregator and I might join the ROS community again.

In the meantime, I’ll focus on other podcasts.

Audio People of the World: "You, Knight!"

Much to be said about a recent ITConversations podcast episode. Ostensibly, this episode was about the LibriVox success story. (LibriVox is a community project producing public domain audiobooks from public domain books in diverse languages.) Yet, during this conversation, Web analyst (and Microsoft employee) Jon Udell along with LibriVox founder Hugh McGuire managed to share much insight on such varied issues as community-building, project management, grassroots movement, open source development, participatory culture, and aurality/orality.

After the chat, Udell and McGuire followed up, on their respective blogs. Udell developed a useful script to make all LibriVox books into RSS feeds for use in iTunes and other media players. Such a collaboration is an appropriate example of the power of “scratch your own itch” development, described during the podcast conversation. The conversation also prompted Librivox reader Sean McGaughey to describe LibriVox as a killer app. [Update: Blog version of the same description.]

I was led to this podcast episode through a visit to LibriVox reader Kara Shallenberg’s blog. Started listening to the LibriVox podcast after reading about LibriVox on fellow YulBlogger Patrick Tanguay’s own blog. Among other things, LibriVox helped me appreciate Canadian Literature and I’m quite glad that the project may contribute to Montreal’s widespread recognition at the cutting edge of technology and culture.

As an aural learner, I was quite taken by Udell and McGuire’s comments on auditory media. It seems that these two guys really grok what is so neat about sound. At least, their ideas about sound are quite compatible with my own ideas about music, language, and the cultural importance of sound.

We might be in a minority, North Americans who care about sound. Many people (including some online visionaries) seem to care more about visuality. In fact, given the large number of Web designers in the “Web 2.0” movement, it might be said that auditory media have often been considered a subset of “audiovisual content.” Yet there is something to be said about sound standing alone in digital life.

For instance, McGuire and Udell talk about the possibility for people to undertake other activities while listening to audiobooks and other auditory content. Commuting is probably the easiest one to grasp, for most people, and while it might be fun to watch a DVD on a plane or bus, audio podcasts are possibly the ideal “distraction” for (hearing) commuters. Listening to podcasts while moving around has led to very stimulating experiences.

Fans of McLuhan would probably think of “hot” and “cool” media. The difference between video and audio podcasts clearly relates to McLuhan’s ideas about participation.

There’s also the issue of rhythm. While moving images certainly can be rhythmic, speech and musical rhythm seem, to me, to be more readily associated with diverse human activities. No idea where to look for the cognitive side of this but it’s clearly worth investigating.

For lack of a better word, sound is more “abstract” than other sensory experiences. Acoustic signals do have a physical reality but the practise of listening has been used to elicit important ideas about abstract structures in Euro-American aesthetics.

Lots more to talk about but it will do for today.

The Participating Minority

[Update: The original article was about traffic, not user base. Should have read more carefully. Doh!]

Interesting stats about blogging and “viral participation” from Technorati’s Dave Sifry and Hitwise’s Bill Tancer. Also summarised on Ars Technica.

Bottom line: Despite extreme growth, only small (some would say “positively tiny”) fractions of the user base [traffic] for participatory Websites like YouTube and Flickr contribute any content. New blogs are created but a smaller proportion of them are active. Tagging, however, is taking off.

This can all be fascinating, on a social level. One thing that gets me is that those figures challenge a notion widely held among members of the participating minority itself. Even the usual figures of 10%, given for textual contributions to forums, mailing-lists, and blogs seems fairly low to those of us who write a lot, anywhere. In other words, it might well be that individual contributors are proportionally more influential than originally thought.

So, is this a trend toward less participation or are Internet users finding other ways to participate, besides contributing original content? Maybe users spend more time on social networking services like Facebook and MySpace. Even “passive participation” can be important, on SNS.

One thing people seem to forget is that private communication (email, IM, VOIP…) is alive and well. Not that I have figures to support the claim but my experience tends to tell me that a lot is happening behind closed doors. Oh, sure, it’s not “Web 2.0 culture,” it’s not even Web-based. It’s not even the sixth Internet culture, as it’s more in continuity with the fourth Internet culture of “virtual communities.” But it’s probably more influential, even in “epidemiological” terms, than “viral marketing.”

Music, Food, Industries, Piracy

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Noticed it in Steal This Film. A very appropriate message. Process over product. Music is not a commodity. Food does not grow on profits.

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