Tag Archives: German movies

aesthetics, cultural anthropology, cultural awareness, cultural diversity, cultural identity, culture, ethnocentrism, Europe, experience, Francophones, naïveté, nationalism, nostalgia, Places, quickies, relativism, stereotypes

Some German Movies I Liked

2 Comments

I remember a discussion I had as a kid, about German culture. A normal kind of conversation, in my family. As Francophones of Québécois and Swiss origins, our perspectives on Germany were quite skewed. And that’s probably why it was fun to discuss these things, casually. I was probably ten years-old so this happened almost thirty years ago.

As far as I can remember, much of our discussion had to do with stereotypes. But I remember saying something as if it were common-knowledge yet clearly wasn’t: that Germans were “known” for great movies.

At the time, I probably hadn’t seen many German movies. Even today, I can’t really say that I’ve watched a lot of German movies. At the time, I was probably reacting from having watched or even heard of a single German movie. Come to think of it, it may even have been based on an Austrian movie I had seen something about. In other words, my statement wasn’t based on a true appreciation but on a vague impression which surprised those with whom I shared it.

Since that time, I seem to have developed an appreciation for German movies. Again, not that I’ve seen so many of them. But those I’ve watched I usually enjoyed.

Several of them came back through my mind as I was playing TRAUMA. Not that the game directly referred to any of these movies. But the game’s visuals did trigger my reminiscence.

So, a very short list of some German movies I’ve enjoyed.

  1. Lola rennt (Run Lola Run)
  2. Im Juli (In July)
  3. Der Himmel über Berlin (Wings of Desire)
  4. Erleuchtung garantiert (Enlightenment Guaranteed)
  5. Bella Martha (Mostly Martha)

Yup, just five films. Of course, I could list many more French or Québécois movies I’ve liked. Thing is, I can hardly remember another German movie. In other words, it feels as though I have never watched a German movie that I didn’t enjoy. And there are some movies I haven”t seen but that I’d probably enjoy, such as Good Bye Lenin!

Not that there’s anything specific about German movies. As a kid, I probably believed in a sort of “national character” but my training in anthropology got it out of me before I watched most of these movies. But it doesn’t mean that there’s nothing common between those movies. Or that I’m not constructing my own “reading” of German movies on these few examples.

For one thing, it’s quite likely that German movies which are released outside of Germany have some specific features. Chances are, there are plenty of movies in Germany which never get released outside and these may differ quite a lot from what I recognize a German movie to be. After all, I’m not including in my short list the variety of movies in which Germans were involved through coproduction. And all of these movies are about some place in Germany, the same way stereotypical Irish songs (those created in North America) have to do with places in Ireland.

So I end up with a skewed, fragmentary, and artificial view of German movies from just a few examples. What’s funny about it is that, based on my experience with TRAUMA (as well as with a few German TV shows), my bias continues to affect my perception of other German productions.

Had I not been trained in anthropology, I might not perceive the severe limits of my views on German culture. In fact, because German Romanticism has been so important in the history of my discipline, my limited experience of filmic Germany clashes with different encounters with the complexities behind German identity and cultural awareness.

Maybe it just means that I should go spend a little while in Germany. I hear they have good beer. 😉

Academia, academic publishing, academics, Actively Reading, App Store, creativity, culture, intellectualism, ivory tower, optimism, play, playfulness, pleasure, predictions, quickies, rants, reviews, sandboxes, software development, sophistication, taste

Reviewing TRAUMA

1 Comment

As an art piece, one can evaluate TRAUMA as a relatively effective proof-of-concept based on an interesting concept. It does bring about a sense of alienation as would a classroom exercise in computational arts. Yet it remains attached to a notion of art as a directed endeavour. TRAUMA leaves little room for interpretation and nuance. Unlike an art movie but like an art project, it forces some meanings on what could be a broader experience. Without being unilinear or monovocal, its structure makes it difficult to truly wander around, as would a “tourist” in the Myst worlds.

As a game, TRAUMA’s limitations are even more problematic. While the short duration of the game has been described as a problem, it may make sense in context. TRAUMA could be the game equivalent of a short story. But the limited interaction one has with TRAUMA’s four “levels” closes down the game into too straightforward a series of actions. Sure, most point-and-click adventure games have similar issues. The set of things which can be done in any scene is necessarily limited, and players frequently feel trapped in mindless sequences. But, for several reasons, TRAUMA restricts actions even more than the usual point-and-click adventure game, resulting in an almost-frustrating experience. While it may be that these limitations have a rationale in the artistic side of the piece (as it deepens the feeling of powerlessness), it makes the game experience less playful than it could be. The sense of discovery created by the usual adventure game is replaced by something close to hand-holding.

TRAUMA’s redeeming features have to do with the “craft” side of things. As a type of collage/montage/assemblage, it displays some skill. The music is appropriate and well-integrated. The voice-acting may be off-putting to some but it works in the narrative logic of the piece. Several scenes are reminiscent of well-appreciated German movies. Overall, it’s likely that Krystian Majewski will be involved in interesting projects in the future, either by collaborating with diverse artists, by training artists to do fascinating work, or even by serving as inspiration for groundbreaking art.

(Rating: 3.5/5)