By definition, my reaction is subjective. So it might just be the fact that it’s a sunny day or that Life Is Good^®, as my water bottle and diner mug say.

Yet there’s something about the April 17 episode of the Radio Open Source (ROS) podcast with Christopher Lydon which works for me.

Maybe I was just charmed by the introduction as it played with my expectations. But there’s clearly more to my enthusiasm for Lydon’s interviewing style in that specific episode than the mere enjoyment of being fooled. My initial excitement abated a bit as the show progressed and Lydon went back to his I-show mode (which I mentioned before and warned students about). This decrease in excitement strengthens my notion that Lydon was, surprisingly enough, letting participants speak in earlier portions of the show.

In fact, Lydon did something he rarely does, during the first part of this episode: he proposed a topic and let one of his guests respond without even asking a question. Sometimes, Lydon will string together a long series of questions to which the interviewee cannot really respond. In the way I was enculturated, these strings of questions are markers of close-mindedness so I have a hard time understanding why Lydon would produce them.

In fact, I would seriously like to do some conversation analysis of Lydon’s interviewing style. For instance, how long (in seconds) are his questions as compared to his guests’ comments? Is there a difference when the guest is perceived to have a higher status, in which case Lydon might go into “deference mode?” Is my perception accurate, that Lydon speaks differently to women and men? (In my observations, ROS seems to mostly have women as guests when gender is admittedly the focus.) Are there cues in Lydon’s speech patterns which reveal what he might be thinking about his guests? Is Lydon typical of “Old Media” radio shows even though he entered the “Web 2.0 landscape” with ROS?
What ticked me off, originally, was Lydon’s tendency to cut his guests in a very cavalier manner and his habit of emphasising distinctions based on perceived prestige. These issues are less problematic to me during some shows, but they still do tick me off fairly frequently. Lydon’s respect, contrary to mine, seems quite selective.

Why do I care so much about Lydon’s style, you ask? Why do I ever listen to the show if it makes me react so strongly? A number of reasons.

Radio Open Source is one of the first few podcasts to which I subscribed when iTunes began podcast support. Although I’ve unsubscribed to many other podcasts, this is a podcast which became part of my habits. I know several people who watch shows they don’t like so that they can complain about it. It might be the case for my listening to Open Source. Although, I would really prefer it if I were not to complain (I hate myself every time I do). My “problem” is that ROS often has insightful guests, frequently tackles fascinating issues, and represents the cultural specificity of a small segment of U.S. society with which I happen to relate on a fairly regular basis. In fact, ROS often provokes thoughts in me which lead to my own insight about U.S. society specifically or, on occasion, about post-industrial societies in general. And the often insightful blog comments, gatekept by the very thoughtful “blogger in chief” Brendan Greeley, occasionally make their way into the program, which evokes a type of polyvocality that is rare in Old Media (but required in the “Web 2.0 movement”). (Unfortunately, Greeley is apparently leaving the show, on which occasion I might start listening to another Greeley show if it’s podcast.)

So I probably won’t stop listening to ROS for a while. Can’t avert my ear.

Why do I tease Lydon so much? Well, as we say in French, «qui aime bien, châtie bien» or “I keed because I like.” People from the United States, especially those who claim European-American ancestry and respond rather well to the Judeo-Christian liberal model, tend to avoid conflict at all cost. It might be the main reason why, though some members of the ROS staff have contacted me after reading some of my blog posts about the show, I get this feeling that my perspective on the show is falling on deaf ears. It’s not that they don’t want to hear criticisms and critiques of the show, it’s just that my voluntarily confrontational style might clash with their own styles. If anyone on the ROS staff reads this: sorry, nothing personal!

So, do I write those posts just to be mean? Not really. But I do like challenging preconceived notions about the skills of people in positions of power. In other words, I tease Christopher Lydon because I know he can handle it. He apparently has a fairly high status within “PRI culture” (which is possibly similar to the “BBC culture” described by Georgina Born). And, to be honest, he sounds self-assured enough (notice I didn’t say “cocky” or “arrogant”) to dismiss this type of nagging offhandedly.

So, Lydon is the journalist I enjoy teasing.

Hey, it is some people’s idea of fun!