Category Archives: craft beer

Alcohol Marketing, Craft Beer, and Responsible Drinking

[UPDATE: Press release. Much clearer than the Hour article…]

This could potentially be big for craft beer. A code of ethics for alcohol adverts.

Hour.ca – News – Alcohol marketing becomes ethical

A bit like video game manufacturer who propose rating systems for their own games, members of the alcoholic beverage industry in Quebec are trying to regulate their own advertising practises. According to the article:

Under the new code, the following has been forbidden:

  • Using alcohol content as a sales argument
  • Associating alcohol with violent or asocial behaviour, or with illicit drugs
  • Sexism or the association of the product with sexual performance, sexual attraction or popularity
  • Implications that the product improves physical or intellectual capacities, or has health benefits
  • Encouraging drinking games or excessive drinking
  • Making the product particularly attractive to people under 18
  • Showing images of people who look younger than 25
  • Showing disrespect for those who choose not to drink

By proposing such a code of ethics, the industry may possibly bypass government regulation. It also shows that its members are willing to go some distance in changing their practises.

Educ’alcool‘s message, associating responsible (moderate) drinking with taste, is well-established in Quebec culture and this code goes in the same line. By contrast, in the U.S., advocacy for responsible drinking is criticized by academics and health specialists. IMHO, this criticism has the effect of encouraging younger people to binge drink, with sad consequences. Educ’alcool and Quebec’s alcoholic beverage industry are probably trying to avoid such a situation. Although it might sound counter-intuitive, binge drinking is not beneficial to their bottom line. After all, nobody wants to get sued for the death of any of consumers.

The main apparent target of this code is beer advertising, especially on television. While Quebec has its share of beer ads with scantily clad women, even ads for some of InBev’s Labatt products are somewhat more subtle. In fact, the French-speaking versions of commercials for Labatt bleue have, over the years, represented an alternative to the typical "beer gets you laid" message. As typical of Quebec culture, these ads have used humour to carry their message, often with puns and other word play. For instance, one of the most recent ads uses a zeugma and the names of several parts of Quebec (strengthening the association between the beer and Quebec cultural identity). It also describes the beer in its association with food.

Which brings me to the interesting point about craft beer. While beer advertisement is typically full of what this new code of ethics seeks to prohibit, craft beer positions itself in exactly the same line as Educ’alcool and this code of ethics: taste and responsible drinking. The only television ads I’ve seen for craft beer were made by Boston Beer company for their Samuel Adams products. These ads usually emphasize the brewing craft itself and have been discussed by many members of the craft beer crowd. An important point is that they’re quite effective at delivering the message about taste, quality, sophistication, and responsibility. (Actually, I wore a Samuel Adams t-shirt yesterday, after reading about the new code of ethics. Didn’t even notice the possible connection!)

Any craft beer person will argue that craft beer always wins on taste. So if the new marketing message needs to focus on taste, craft beer wins.

It’s quite striking that the code of ethics mentions people looking older than 25. IMHO, it’s overstating the case a bit. IMHO, nothing is to be gained by avoiding the portrayal of members of the 18-25yo age bracket in advertising for responsible drinking. This demographic is not only very important for the alcohol industry but it’s one which should be targeted by the responsible drinking movement. Educ’alcool does target people who are even younger than that, so that they "do the right thing" once they’re old enough to drink, but there’s no reason to let people down once they start drinking. Eighteen-year-olds are not only learning the value of responsible drinking, they’re integrating responsible drinking in their social lives. And they’re learning how to taste alcoholic beverages.

Apart from age, characteristics of craft beer people are usually the same as those of the target market for beer in general. But their emphasis is really: taste, distinctiveness, sophistication, and responsibility. Again, perfect for the new type of ads.

Speaking of beer marketing, the issue of Montreal’s Hour indie weekly also has a piece on the importance of beer sponsorships for the success of events in the city. Coincidence?

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Sizing Up the Geek Crowd

Rocketboom interview with Steve Rubel

Like Delagrave and Bergeron, Rubel got it. And it goes much beyond marketing, brands, or even economy. Geeks are at the forefront of something. They have an impact. Not a direct impact on sales of a specific product. But geeks are trailblazers and, sometimes, trendsetters in the social changes which are already happening. They’re not causing the change. But they’re riding the waves of social change. Some waves will die quickly, others will carry many people to an interesting place. As in STF, creating windmills, not shelters.

This is also connected to a recent discussion I had, at a nice brewpub, with a member of Siebel Institute’s faculty. We were talking about beer geeks and their impact on craft beer sales. Not only are beer geeks like computer geeks but it turns out that there might be a clear historical relation between the Pacific Coast computer industry, the rise of latte drinking, and the craft beer revolution. As beer and coffee are among my passions, I find this link fascinating.

At any rate, this faculty member’s point was that large breweries shouldn’t care much about beer geeks as they (we) don’t drive sales of specific products. One of the main arguments here is that geeks aren’t faithful to a brand. Geeks want diversity. Beer geeks want as many different beers as possible.

It’s pretty much the same thing throughout the geek crowd. Talk about empowered “consumers”

Beer Comments by a Wine Expert: Redux

CBC’s Home Run did the second part of their “crash course” on beer, with their “wine expert.” For some obscure reason, they used a wit and a lambic as the main examples for ales. Comments made during the show had more to do with personal experiences of enjoying non-wine alcohol and getting drunk than with actual qualities of fermented beverages made with grain. We have a long way to go.

See my previous blog post (on the first part of that show’s “crash course,” talking about lagers). Here are my comments about this weeks discussion of ales:

This installment of Bélanger’s beer “crash course” is somewhat more appropriate than the previous one (although, lambics are usually not considered ales as S. cerevisiae isn’t necessarily the main fermentation agent). You might still consider getting help from one of several beer writers in Montreal. Some of them write in the local beer publications mentioned in my previous message, which has been reproduced here.

Not to be flip but, in Quebec, asking a wine expert to talk about beers is like asking a rugby expert to explain hockey. In Quebec, beer is more than a simple summer beverage and the craft beer industry across the globe is taking an interest in beer people in Quebec. It would make sense to dedicate a short segment of your show to quality beers in Quebec, especially if you get one of the numerous beer writers in Montreal.

Belgian Artist and German Engineer

This one might already be somewhere in my beer entries. Still, it's worth repeating… 😉

Much of craft beer culture in North America uses a continuum based on two important images from two important brewing traditions: Belgian Ales and German Lagers. Not that these are at all exclusive associations. Belgium produces many lager beers and Germany produces many ales. Other brewing traditions (especially from the Czech Republic or from the British Isles and former British colonies) also have their own ales and lager beers. But these two “national” traditions are quite important in craft beer culture's imagination and self-identification.

The German Lagers used as a prototype are usually clean, crisp, refreshing, balanced, and especially consistent. The Belgian Ales used as a prototype are usually complex, smooth, soothing, malty, and especially distinctive. Many beers are located along this continuum. And it's not unusual to see malty brews associated with complexity or crisp brews with clean-tasting. The values of consistency and distinctiveness are quite important in craft brewing as it influences brewing practise. Those of a more creative approach may tend to prefer brewing Belgian Ales, even when the results are disappointing while those with a more technical perspective may prefer brewing German Lagers, even if their taste is relatively unassertive. In such a context, the images/stereotypes of a German Engineer (GE: who wants his work to always be perfect and dependable) and the Belgian Artist (BA: who wants his work to make a statement) seem useful, if simplistic.

For one thing, those images don't necessarily correspond to beer styles. Many of the BA beers could in fact be based on German beers like the Hefeweizen and Berliner Weiss. Similarly, GE beers are likely to be ales, especially British ones. But the brewing traditions of Germany and Belgium are perceived through those models/prototypes.

And speaking of beer in Germany, see Ron Pattison's criticism of the so-called “purity” law, his take on German Beer, and especially Thomas Perera's description of the German beer spirit.

For Belgium, there's a wealth of resources (including on Ron Pattison's site) but its beer scene is characteristically described by disparate details as it's difficult to make sense of Belgian beer in general.

Of course, discussions of regional differences within these two countries in brewing patterns are extremely important. But these differences are rarely seen by North American craft beer people as implying much distinction in brewing philosophy.

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Brewing Cultures: Craft Beer and Cultural Identity in North America (Draft)

Here's the draft of my presentation for a food and society conference at Boston University this past Thursday.

Brewing Cultures: Craft Beer and Cultural Identity in North America (draft)
And associated slides.

A blog version should follow. Comments are deeply appreciated!

Glocal Craftiness: Coffee, Beer, Music

Was listening to the portafilter.net podcast (Episode 23) and thinking about coffee shops, cafés, brewpubs, bars, bands, venues…

Continue reading Glocal Craftiness: Coffee, Beer, Music

Two Radio Pieces on Beer

Chicago Public Radio – Audio Library: Eight Forty-Eight
One is partly a repeat from Steve Dolinsky’s TV report mentioned earlier but with more contextual information. The other one was originally broadcast in 2000 and features Bob Skilnik (who put up an elaborate excerpt from his book right here).
What’s interesting about all of this, apart from the situation of Chicago in the world of beer, is that beer seems to connect to several social phenomena. I’ll need to read Skilnik’s books at one point, especially as he emphasizes the class struggle in the Prohibition movement, but I also think there’s a lot to say about what’s happening now.
For instance, Dolinsky’s extended piece here has a more elaborate comment Hopleaf’s Michael Roper about “artisan” beer in Belgium. Yes, all beer geeks know about this, but it’s interesting to see that these ideas are being brought to a larger audience. As opposed to wine, which tends to be known for its origins, beer is more rarely associated to specific regions or traditions. Well, then again, people probably think of Mexico as a beer producer because of Corona and Sol… 😉

At any rate, two interesting radio pieces about beer, now available online.